2008 Programme

29 April 08 – 7.30pm (Tuesday) – Free entry

VIDEOCLUB in collaboration with protoPLAY presents : The YouTube Thing

The YouTube Thing is a curated screening of videos from YouTube, selected in collaboration with Nadege Derderian and Orion Maxted from protoPLAY. A screening of touching, angering, curious, visceral and ever-so voyeuristic pieces, taken from the mass contemporary ‘archive’ of YouTube.

Watch the playlist: Playlist from The YouTube Thing

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.co.uk

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OLSEN_cake

18 May 08 (Sunday) – 1:30pm at Duke of York’s Cinema – £3

(arrive early to get your free tea and cake!)

VIDEOCLUB presents : Olsen

Olsen Olsen is a DIY collective that, for the last three years, has been intermittently screening avant-garde cinema with tea and cake at Leeds’ Hyde Park Picture House. For this one-off event organised by videoclub, Olsen will present an afternoon programme of new moving image works by established and little known international artists – served with tea and homemade cake (vegan too). Expect lyrical, personal and abstract experimental cinema from people who care.

A limited edition recipe/film booklet will also be made for the event. For further information about films and Olsen go to: www.olsenorsen.org

Duke of York’s Cinema, Preston Circus, Brighton, East Sussex, BN1 4NA, United Kingdom
Tel: 0870 755 1228

Duke of York’s Cinema website

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21 Aug 08 (Thurs) 6-9pm

VIDEOCLUB : remembered/forgotten

The Chair, Grace Schwindt A selection of international work from videoclub’s most recent call for artists’ moving image. All the works selected focus upon auto/semi/biographical content that has been made by filmmakers who are using artists’ moving image to approach their subject matter, rather than straight documentary format. Fleeting glimpses, broken narratives and the use of image over language reveals the structure of memory and recall, as a fragmented, and re-narrated/imagined phenomenon, as opposed to a simple narrative line.

Artists showing work are: Juliette Buss, Yin-Ju Chen, Aikaterini Gegisian, Ana Husman, Esther Johnson, Gazelle Samizay and Grace Schwindt

HOLD & FREIGHT, 7 Apple Tree Yard, Bradwell Street, Lognor Estate, London E1

Select ‘contact’ on the Hold & Freight website for a map to the gallery.


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11 and 12 Oct 08 (Sat and Sun) 3-4pm both programmmes

VIDEOCLUB as part of VIDEOPHILE video art festival at Phoenix Brighton

11 Oct at 3pm – videoclub : remembered/forgotten

The Chair, Grace Schwindt A selection of international work from videoclub’s most recent call for artists’ moving image. All the works selected focus upon auto/semi/biographical content that has been made by filmmakers who are using artists’ moving image to approach their subject matter, rather than straight documentary format. Fleeting glimpses, broken narratives and the use of image over language reveals the structure of memory and recall, as a fragmented, and re-narrated/imagined phenomenon, as opposed to a simple narrative line.

Artists showing work are: Juliette Buss, Yin-Ju Chen, Aikaterini Gegisian, Ana Husman, Esther Johnson, Gazelle Samizay and Grace Schwindt

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12 Oct at 3pm – videoclub : Fragments

Guli Silberstein – REMAINS Fragments and distortions, filters and reappropriated imagery comprise this surprising collection of moving image works. Found footage and original recordings are dispersed with twisting narratives. Bare and latent concepts, and intertwining philosophies appear to comment on violence, consumerism, and other fragmented human actions. Broken repetitions in The Horror and Ozymandias are unsettling whilst poetic, whereas FIXC’s and Nilsson’s films provide us with octane-driven feasts that comment on consumerism and our fixation with popular culture.

Artists include: Sandra Lim, Dave Griffiths, Paul Gittins, Jonas Nilsson, Guli Silberstein, Anders Weberg and FIXC.

Phoenix Brighton, 10-14 Waterloo Place, Brighton BN2 9NB, UK
www.phoenixbrighton.org.uk

For a map, and the full programme for VIDEOPHILE, see Phoenix gallery’s website above.


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25 October 08 – 8:00pm (Saturday) meet at Pump House pub, Market Street

A Wall is a Screen VIDEOCLUB presents : A Wall is a Screen

On the 25 October, A Wall is a Screen (Hamburg) will be making a moving image tour of Brighton, exploring the walls and screens of the city, re-imagining the city through film.

Hamburg-based A Wall is a Screen have created a moving image tour of Brighton, weaving through the city’s back streets and hidden walls, as well as open public spaces that are perfect for screening films. Follow the tour and see excellent, new short films in surprising spots around the city. You will probably want warm clothes and possibly an umbrella.

Meet outside The Pump House pub (46 Market Street, near Donatello’s, see map below) at 8:00pm, look for the A Wall is a Screen logo. The tour will last approximately an hour.

“The project A Wall is a Screen takes advantage of the nightly downtime in the vitality of the downtown area. It is a combination of a guided city tour and a film night. The group of participants walks through downtown and stops at bright walls where short films of various genres are shown. After the end of one film, the group continues on to the next wall and film”. – From A Wall is a Screen’s website.

This event is part of the Brighton WHITE NIGHT celebrations


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27 November 08 – 6:30pm doors and bar, 7:30pm screening

VIDEOCLUB SELECTION 08

Transactions, Yin-Ju Chen (2008) This outstanding selection of work by UK and international artists features contrasting and complementary images and narratives, many taking an artistic approach to documentary filmmaking. From the formal and atmospheric vistas of Annalisa Sonzogni’s landscapes, to the funny and touching chronicles of DJ Steve KRUSHER Joule’s life, sensitively filmed by Jordan Baseman, these works are thoughtful, engaging and beautiful, with the strength to resonate long after seeing them.

Featuring work from: Annalisa Sonzogni, Grace Schwindt, Jordan Baseman, Aikaterini Gegisian, Yin-Ju Chen and Esther Johnson

Selected from open submission, this excellent collection of film and video celebrates outstanding practice from UK and international artists working in moving image.

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.org.uk

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nwfilmforum

04 December 08 – 6:30pm doors and bar, 7:30pm screening

VIDEOCLUB presents : Northwest Film Forum

NWFF Stories of Reach

Human beings tend to end up wanting something out of reach. This collection of stories offers some different insights into the situations that drive our passions. Among the stories: dancers have operatic visions of escape, criminals find their world spun upside down and a few women attempt a new relationship with a special someone in their life.

Filmmakers include: Nathan Williams, Allison Beda, Jennifer Halley, Kristian McKay, A J Eaton, Marly Reed and Curtis Taylor.

A selection of work by filmmakers from northwest USA and west coast Canada. Part of an exchange programme between Northwest Film Forum, Seattle and videoclub, Brighton.

“Founded in 1995 by filmmakers Jamie Hook and Deborah Girdwood, Northwest Film Forum (NWFF) is a Seattle-based non-profit organization dedicated to becoming the nation’s leading center for film artists. Operating the region’s first and only non-profit center for the film arts, NWFF programs a true cinematheque, embracing film production as well as film exhibition, with two cinemas (46 and 120 seats), film production and post-production facilities and equipment, educational workshop space, filmmaker offices, a film vault containing over 1,000 titles, and a filmmaking library”. – Excerpt from NWFF’s website.

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.org.uk

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2007 Programme

26 April – 7.30pm (Thursday)

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VIDEOCLUB presents : the unstable states of… featuring a range of work highlighting the instability of the recorded image, work that threatens to collapse and recombine, leading fragments to reveal new forms, states and spaces. These works revel in rupture and displacement, celebrating sensory slippage and confusion. Anxious narrators reveal hidden messages; poems are written in shop signs or found in discarded videos; preying wildlife and hysteric crowds roam the ruins; these works evoke and play upon the fraught relation between the senses.

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Featuring work by Ben Callaway, Duncan Campbell, Kieron Dennis, Dalia Neis and Laure Prouvost. The screening will be accompanied by a specially designed limited edition ‘zine by artist group Dirty Drawers (www.dirtydrawers.co.uk)

Lighthouse’s new home in the centre of the North Laines is videoclub’s new residence for 2007. George Clark, writer, curator and Artists’ Moving Image Development Officer at the Independent Cinema Office is the curator for the first videoclub of 2007, with work selected from international film festivals as well as UK artists.

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.co.uk

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21 June – 7.30pm (Thursday)

VIDEOCLUB : His Life is Full of Miracles.

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Theorist Walter Benjamin saw early animation as a radicalising of film, which offered a release from the constraints of the physical laws of time, space and technology. A chapter of an early version of his essay The Work of Art in the Age of Mechanical Reproduction was originally titled ‘Mickey Mouse’, about whom he said: ‘His life is full of miracles – miracles that not only surpass the wonders of technology, but make fun of them.’

Perhaps it is these original radical and avant-garde possibilities of animation which still fascinate artists – ‘the anti-naturalist, utopian rebuttal of physical laws and “natural” constraint’ (Esther Leslie) which allows reinvestigation of the relationship between the still and moving image, the flatness of line and the illusion of depth and the digital manipulation of photographic ‘reality’.

This screening is a smaller selection from a larger curated project which was originally presented as a videotheque at Site Gallery, Sheffield. The films presented here seem to show two poles of animation: drawn animation – coming from a primal flick book impulse involving line figuration – and animation referencing, remixing and intervening within film – still one of the most sophisticated animation technologies available to us.

This videoclub has been curated by Jeanine Griffin, curator at the internationally renowned Site Gallery in Sheffield.

For further information on His Life is Full of Miracles as it appeared at Site Gallery click

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.co.uk

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27 September – 7:30pm (Thursday)

VIDEOCLUB : Reclaiming the Real

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An investigation into contemporary responses to ethnographic filmmaking – not only the study of humans, but also how the apparatus effects the process of observation. Starting with an archive film by Jean Rouch, one of the first ethnographic filmmakers to recognise that his presence with a camera had to be acknowledged, the programme will then concentrate on new artists’ works which explore the recording of human societies.

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Award-winning filmmaker Ben Rivers is the curator for September’s videoclub. Ben will be introducing the work selected at the event.

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.co.uk

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Sat 13 (1-5pm) and Sun 14 (1-4pm) October

VIDEOCLUB : Society and Open Phoenix Video Festival

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2 days of screenings curated by Victoria Melody combined with live performances, talks, and open studios. The Open Phoenix 2007 Video Art Festival is a showcase for artists working within the medium of moving image.

Victoria Melody will be curating a programme from selected works that respond to the themes of Humour in Art, Performance for Camera, Extremes and Brighton Bred. Selected artists include David Blandy, Pablo Perez and Graeme Walker.

Victoria Melody will be performing on Saturday 13th at 5:30pm

VIDEOCLUB : society is a selection of artists’ films exploring society and societal constructs. Each artist explores aspects of humanity and how humans have created structures, models of power and dependencies upon one another to conform.
Artists include: Raymond Taudin Chabot, Derek Lodge, Miranda Pennell, Jaan Toomik and Hard Shoulder. Curated by Jamie Wyld.
VIDEOCLUB : society will be screened 4-5pm on Saturday 13 Oct, 3-4pm Sunday 14 Oct.

protoPLAY presents The YouTube Thing
Videos from YouTube will be screened in the format of a video art presentation. YouTube has been approached as a gigantic reservoir for images and information, and the selection process as a linguistic act. www.protoPLAY.net

Phoenix Art Gallery, 10 – 14 Waterloo Place, Brighton BN2 9NB
www.phoenixarts.org

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29 November – 7.30pm (Thursday)

The 2007 Finale

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The final videoclub event of 2007 is a showcase of work invited from artists who were selected for the finale of videoclub in 2006.

To increase and invest in our support to artists we have previously shown, we decided it would be a timely opportunity to show new work from those artists a year on.

Invited artists include: Kagami Shinohara, Ulf Kristiansen, Kirk Palmer, Semiconductor, Lucy Pawlak, Oliver Mezger and Tatiana Echeverri Fernandez

Lighthouse, 28 Kensington Street, Brighton BN1 4AJ
www.lighthouse.co.uk

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2006 Programme

200 Nanowebbers, Semiconductor, 2005

videoclub: 1 // 28 March 2006 – The Hanbury Ballroom

The videoclub launch was a great success, with a ballroom-filling turn out, and some great films to start out with. Victoria Melody, Zoe Tissandier and Tatiana Echeverri Fernandez all came to talk about their work with guest speaker (writer and editor) Metin Alsanjak – who wrote a review of the work for videoclub – click here to read more.

Programme of films

Victoria Melody, Hill Screams, 2005
Simon Woolham, The Source, 2005
Tatiana Echeverri Fernandez, Flash, 2006
Martin Blazicek, Image Description, 2003
Zoe Tissandier, Talent Show Auditions, 2005

Photos from the first event at Hanbury Ballroom, March 2006, courtesy of Rupert Noble

videoclub : 2 // May 2006 – The Hanbury Ballroom

videoclub : 2 provided us with a few surprises, this screening of excellent films was only 14 minutes long, which had great contrasts and similes, particularly with their relationship to sound and image. George Barker, Nick Hornby and Hannah Ellul came to talk about their work, with guest facilitator (artist, writer and curator) Monica Ross, who explored and highlighted some thought-provoking links between the artists’ work.

Programme of films

Patrick Gould & George Barker, For the Love of God, 2006
Rosalind Peter, She Falls, 2005
Nick Hornby, Psycho Saw, 2005
Hannah Ellul & J Allett, I have dodged through the parking lots, 2006

Miranda Whall, Ladybirds, 2006 (film still) – courtesy of the artist

videoclub : 3 // July 2006 – Brighton Fringe Basement

The Basement provided a great space for screening work, and the films worked brilliantly together – we had some stunning films submitted for this screening. Artists Semiconductor (Ruth Jarman and Joseph Gerhardt) and Sara Preibsch discussed their work with writer, curator and filmmaker, George Clark, who also put together notes on the event – click here to read more. The panel discussion was highly engaging and illuminating, revealing artists’ intentions and inspirations for their work.

Programme of films

Miranda Whall, Ladybirds, 2005
Esther Johnson, Tune In, 2006
Jake Thomas, Sunday Morning, 2004
Semiconductor, Acousticity, 2006
Yoshino Shigihara, Niji Dura, 2006
Sara Preibsch, Shoreham Works, 2005
Jessica Brouder, Peeling Onions, 2005
Semiconductor, 200 Nanowebbers, 2005

July 2006 event at The Basement, photos courtesy of Rupert Noble

videoclub : 4 // 28 Sept 2006 – Phoenix Gallery

Could we have squeezed more people into the Red Room at Phoenix? videoclub : 4 had a great turn out, and the work was due a good audience. As with all the screenings, videoclub : 4 had an eclectic mix, from computer game to hand-drawn animation, Super 8 and 16mm, and DV – demonstrating the multiplicity of film and video-making media along with high quality practice. Esther Harris, Minou Norouzi and Kagami Shinohara spoke insightfully and with engaging generosity about their work, with perceptive questions from panel leader, Mick Hartney. To see the notes about the programme click here to read more.

Programme of films

Pil and Galia Kollectiv, The Future for Less, 2006
Minou Norouzi, Imago, 2006
Oliver Mezger, High Possil, 2006
Ulf Kristiansen, The Art Reception, 2006
Kagami Shinohara, Super Kagao Brothers, 2006
Esther Harris, Tourists, 2006

Sept 2006 event at Phoenix Brighton, photos courtesy of Rupert Noble

videoclub : 5 // 23 Oct 2006 – Gardner Arts Centre, University of Sussex

We held the fifth videoclub open call event at Gardner Arts Centre – now the Attenborough Centre for the Creative Arts at University of Sussex. You can read the programme notes here: videoclub 5 running order and notes.

Programme of films

Sheena Macrae, Drink, 2004
Becca Albee, Compulsory Figures, 2005
Steven Eastwood, Come As You Are, 2005
Lucy Pawlak, Revenge of the Insides, 2006
Kirk Palmer, Murmur, 2006
Nicky Hamlyn, Panni, 2005

Oli Mezger, High Possil, 2006 (film still) – image courtesy of the artist

videoclub : 6 // 23 November 2006 – Fabrica Gallery

For the final event of 2006, we curated a programme of what we considered some of the best films from the 2006 open call programme, which represented different styles of practice, content and interest. For more details about films, see the programme notes: videoclub 6 the finale running order and notes.

Programme of films

Patrick Gould and George Barker, For the Love of God, 2006
Oliver Mezger, High Possil, 2006
Lucy Pawlak, Revenge of the Insides, 2006
Kirk Palmer, Murmur, 2006
Martin Blazicek, Image Description, 2003
Tatiana Echeverri Fernandez, Flash, 2006
Ulf Kristiansen, The Art Reception, 2006
Semiconductor, 200 Nanowebbers, 2005
Kagami Shinohara, Super Kagao Brothers, 2006

 

Supported by Arts Council England and Lighthouse.