UK and Hong Kong artists join Vital Capacities for April

Artists from left: Siphenati Mayekiso; Jess Starns, Andrew Luk and violet marchenkova.

For the sixth Vital Capacities residency, we partner with Videotage (Hong Kong) to work with artists from both Hong Kong and the UK. From 1 April, artists Andrew Luk, Jess Starns and violet marchenkova will join Vital Capacities, to undertake research and develop new work. Working with our partners, they will explore and exchange new ideas using their studio spaces, and create new work throughout the residency.

The artists for April 2022’s residency are:

Andrew Luk (HK) is a Hong Kong artist who works across a range of media examining the intricacies of the human experience as well as the myths and histories associated with civilisation building. Investigating the creases between binaries such as culture and nature, human and non-human, and the personal and the collaborative, Luk’s sculptures and installations explore utopian desires of perfection and their dystopian repercussions. Although the works are diverse, the practice is  united through an exploration of idealogical superstructures and their systems of expression — delicately tracing connections across disciplines, speculating on potential futures and revealing expressions of beauty, preservation and entropy.

Jess Starns (UK) is an artist whose creative process is participatory, collaborative and inclusive with a focus on disability and neurodiversity. Jess completed her Inclusive Arts Practice MA at the University of Brighton where Jess and 8 other participants curated the Neurodiversity Museum. Jess is the founder of ‘Dyspraxic Me’, is experienced with supporting young people and works within museums. Jess was awarded a place on the Shaw Trust ‘Power 100’ 2018 list of the most influential and inspirational disabled people in Britain.

violet marchenkova (UK) is an arts worker, filmmaker, writer and queer-feminist community organiser with Devil’s Dyke Network based in Brighton. They trained in Art History and Digital Documentary, and have a diaristic first person film practice. Violet grew up between Post-Soviet Riga and Moscow’s landscapes in a Russian-speaking family; for the past 8 years they’ve been living in the UK.

Their work is influenced by Disability Arts Movement, Embodied Social Justice practices, and creativity and wisdom of the many friends=teachers. They’ve spent the past few years curating spaces for politicised creative expression.

Residencies will launch on 1 April – to follow what the artists are up to join the mailing list and follow them on: vitalcapacities.com

April 2022’s residency programme is delivered in partnership with Videotage as part of the Both Sides Now 7 programme, with support from Arts Council England and Hong Kong Arts Development Council.

 

Vital Capacities is an accessible, purpose-built digital residency space, that supports artists’ practice while engaging audiences with their work.

Vital Capacities has been created by videoclub in consultation with artists, digital inclusion specialist Sarah Pickthall and website designer Oli Pyle.

Arts Council England funding logo (Lottery)

Third Thursdays on 17th March

What Happened to the Trees, Simon Le Boggitt, 2015

We have our next Third Thursday on 17 March. This month’s theme is Environment. There are a number of intepretations of environment in the programme, from artists exploring ecology and environmentalism, to filmmakers looking at their environment and how they respond to it.

Third Thursdays’ film trail will be showing a collection of films which delve into environmental themes. A silent disco, DJ’d by X-CITE will bring a new experience to an everyday location. Films in windows by international artists explore themes of landscape, environment and disaster. An exhibition by Little Green Pig showcases Letters to the Earth written by young people. And musicians bring hopeful music to the streets of the city, turning Brighton’s outdoor areas into places for enjoying performance.

Find out more about the Third Thursdays programme in March by clicking here.

About Third Thursdays

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions.

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

See the programme on the Third Thursdays website: thirdthursdaysbrighton.com

To find out more about opportunities for artists, creatives and audiences, join our mailing list by clicking here.  Or follow us on social media: Facebook // Twitter // Instagram.

Third Thursdays is part of the ABCD Cultural Recovery Plan, supported by Arts Council England, Brighton & Hove City Council, Brilliant Brighton Business Improvement District, Pebble Trust and the Welcome Back Fund (European Regional Development Fund).

Call out for stewards – paid opportunity

We’re looking for people who would be willing to be stewards and help support the delivery of Third Thursdays. To work with us to deliver our outdoor walking film trail, support musicians and to oversee films in windows. May require a little light lifting.

Dates: 17 Mar, 21 Apr, between 3pm and 8pm. £10 an hour plus expenses.

If you are  interested, email Jamie Wyld at: jamie@videoclub.org.uk

About ABCD Cultural Recovery Plan

The disruption of the pandemic brought together over 100 creatives in Brighton & Hove to explore how arts & culture can be more inclusive, sustainable and collaborative in the City in the future. This resulted in a recovery plan that runs to the end of 2022 and has so far raised over £350k for the cultural sector in the City. The plan is overseen by an independent group of people formed of a Governance Group and a series of Working Groups. Our aims are to create paid work and professional opportunities for creative workers in the City, to develop a more inclusive cultural offer and to encourage partnership working to strengthen the creative sector in the long term.

Our partners include Brighton & Hove City Council, Arts Council England, Brilliant Brighton Business Improvement District, the Pebble Trust and many funded arts organisations in the City. If you work in the creative industries and want to get involved and/or find out more visit cultureinourcity.com

                               

Paid opportunity for stewards for Third Thursdays

Call out for stewards – paid opportunity

We’re looking for outgoing, friendly people who would be willing to be stewards and help support the delivery of Third Thursdays. To work with us to support musicians and to oversee films in windows. May require a little light lifting.

Dates: 17 Mar & 21 Apr, between 4pm and 9pm. £10 an hour plus expenses.

If you are  interested, email Jamie Wyld at: jamie@videoclub.org.uk (please state which dates you are available, send a CV and details of any experience of stewarding or working with the public – this could include retail or other environments).

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions. It will create moments each third Thursday of the month, beginning on 16 December, for residents and visitors to engage with art and culture around the centre of Brighton.

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

 

                               

Third Thursdays Brighton – 17 February 2022

Public Figure by Ryan Ormonde and Madalina Zaharia (2021)

February’s Third Thursday’s theme is Colour in celebration of LGBTQ+ History month during February. Colourful films and artworks will be installed and projected around Brighton, spreading from The Lanes and North Laine to Western Road and Preston Street.

Bring Your Own Beamer will be part of this month’s Third Thursday, delivered by Pop-Up Brighton, lighting up Brighton Place. There are two new artworks shown especially for Third Thursdays, selected through our exhibition submission programme. Plus a newly curated, colour-saturated film trail to follow and films in windows to watch.

Find out more about this month’s Third Thursday by clicking here.

YOUR FEEDBACK – we’d love to know what you think about Third Thursdays, complete a short survey by clicking here.

About Third Thursdays

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions.

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

See the programme on the Third Thursdays website: thirdthursdaysbrighton.com

To find out more about opportunities for artists, creatives and audiences, join our mailing list by clicking here.  Or follow us on social media: Facebook // Twitter // Instagram.

Third Thursdays is part of the ABCD Cultural Recovery Plan, supported by Arts Council England, Brighton & Hove City Council, Brilliant Brighton Business Improvement District, Pebble Trust and the Welcome Back Fund (European Regional Development Fund).

Call out for stewards – paid opportunity

We’re looking for people who would be willing to be stewards and help support the delivery of Third Thursdays. To work with us to deliver our outdoor walking film trail, support musicians and to oversee films in windows. May require a little light lifting.

Dates: 17 Feb, 17 Mar, 21 Apr, between 3pm and 8pm. £10 an hour plus expenses.

If you are  interested, email Jamie Wyld at: jamie@videoclub.org.uk

About ABCD Cultural Recovery Plan

The disruption of the pandemic brought together over 100 creatives in Brighton & Hove to explore how arts & culture can be more inclusive, sustainable and collaborative in the City in the future. This resulted in a recovery plan that runs to the end of 2022 and has so far raised over £350k for the cultural sector in the City. The plan is overseen by an independent group of people formed of a Governance Group and a series of Working Groups. Our aims are to create paid work and professional opportunities for creative workers in the City, to develop a more inclusive cultural offer and to encourage partnership working to strengthen the creative sector in the long term.

Our partners include Brighton & Hove City Council, Arts Council England, Brilliant Brighton Business Improvement District, the Pebble Trust and many funded arts organisations in the City. If you work in the creative industries and want to get involved and/or find out more visit cultureinourcity.com

                               

Days of Wonder – celebrating the magic of early cinema

Turntable zoetrope created by artist Annis Joslin

Days of Wonder is a free festival of creativity, installations and experiments for all ages celebrating the magic of early cinema and filmmaking.

For three days in February, Hove Museum & Art Gallery will be packed with fun ways to get creative:

  • learn more about the museum’s film and media collection
  • discover the innovations of our local film pioneers
  • experiment with techniques that led to contemporary filmmaking

There will be activities for all visitors to enjoy, a range of bookable workshops with artists, plus a screening with film historian Dr. Frank Gray.

Activities are free, but spaces will be limited to maintain social distancing, so pre-booking for workshops and events is advised. Places can be booked by clicking here.

Artists Annis Joslin and Seo Hye Lee will lead a series of workshops, One Minute Wonders, inspired by early film’s limited footage. Participants will create collaborative films in response to Hove’s early film pioneers and the game ‘Consequences’, resulting in a mystery film created by everyone involved. Experiment with turntable zoetropes, collage with film images, or add subtitles to create new narratives for films.

Film history expert, Alexia Lazou, will deliver magic lantern slide-making workshops, using original Victorian designs as inspiration. Participants will create new slides to be projected with magic lantern slide projectors.

Meet artist Laura Kloss and her giant zoetrope and turn your own drawings into moving pictures. Learn about creating moving images from still images, and find out how this Victorian optical toy inspired early filmmaking.

Try your hand at making a thaumatrope, a two-sided drawing playing tricks on the eye to create a simple animation. Put a hat on a sheep, or sunglasses on a pharaoh. Use your own drawings, or those provided to create your own thaumatropes to take home.

A programme of early film by pioneer filmmakers from Brighton & Hove can be watched in Gallery 3 at the Museum. Including films by George Albert Smith and James Williamson, who both lived and worked in Hove, and started making films in the 1890s. Both made great advances in filmmaking, including editing techniques, the close-up, use of locations and sets, and developing film narratives.

Dr. Frank Gray, Director of Screen Archive South East, will talk about the museum’s Film & Media Collection and how it relates to the film history of Brighton & Hove. An opportunity to gain insights into Hove’s significance as a centre of the international film industry at the turn of the 19th to 20th century.

Days of Wonder is produced by videoclub and Corridor in partnership with Royal Pavilion & Museums Trust with support from Arts Council England, National Lottery Heritage Fund, Film Hub South East, Screen Archive South East and The Arts Society East Sussex.

 

Knotted Water Sizzled Tongue by Tzu-Huan Lin – Online exhibition with Platform Asia

You are looking at a black-and-white image. The scene is in a wood, you will see trees at the back and tall grass on the ground that reaches the waist of an adult. Two men standing in the center of the image facing each other. They both wearing the ancient look with robes. The man on the left is taller with four eyes, holding a crystal cube. The man on the right has another head attached to his head with white hair. He is holding a book with a rope on a book cover. It looks like the man on the right is talking to the man on the left.

Languages are shapes that have fallen out of our mouths. A story about the attempt to make perfect pronunciation for immigrants.


Exhibition dates: 24 Jan – 11 Feb 22, online – opening at 11 am on 24 Jan.

Platform Asia presents Knotted Water Sizzled Tongue 形聲, a new film by Tzu-Huan Lin, in collaboration with videoclub.

Inspired by the Chinese mythical character of Candjie, Knotted Water Sizzled Tongue traces the learning experience of foreign languages as immigrants. Reflecting on our ability to mimic and speak non-native languages, to the falling of Pixiu, an ancient Chinese mythical creature, from heaven. The work discusses the authenticity of displaced identities and languages, and the embracing of acceptance.

The work will show for the first time in the UK on Platform Asia’s website between 24 Jan – 11 Feb. Having been shortlisted for the 2021 Taipei Art Awards, this programme will run parallel with an exhibition of the work at Taipei Fine Arts Museum till 20 March 2022.

Click here to read about the Taipei Art Awards and exhibition in Taipei.

Supported by Arts Council England. With additional support from British Council Connection through Culture Grants and National Culture and Arts Foundation, Taiwan.

About the artist

Tzu-Huan Lin is an artist based in Brooklyn, New York. An alumnus of the Pratt Institute, Lin’s art primarily focuses on narrative film and immersive installation, exploring different facets of art and issues about the digital age by working with issues that deal with various occurrences. Mythology, history, scientific theories, pseudo-documentary films, and experimental films are some contents dealt with in Lin’s artworks and also the approaches he employs. Through his interpretations of certain issues, he uses diverging narratives to dive into the themes being examined and to shape the artworks created. He also creates spatial installations to enhance the way the audience experiences his way of seeing the world.

林子桓生活與創作於紐約布魯克林。畢業於普瑞特藝術院(Pratt Institute)。創作形式主要以敘事性的影片與沉浸式的空間裝置為主,議題以結合不相同的事件探索藝術不同的樣貌與數位時代的問題。作品內容與方法涉及神話、歷史、科學理論、偽紀錄片以及實驗片等,將議題自我詮釋後以發散的敘事方式漸漸切入主題形塑出作品,另也透過空間裝置強化觀者去感受作者在作品中的的世界觀。作品曾於奧胡斯現代美術館(ARoS Museum)「2021 Flux at ARoS」中放映,近期也參與2020台北數位藝術節「愛情數據」(01_Love)、第六屆台灣國際錄像藝術展「離線瀏覽」(2018,Offline Browser)、第14屆雅典數位藝術節(2018,ADAF);舉辦過的個展有關渡美術館「假想圖集與旅行者(2020,Hypothesis Atlas and Voyager)」、臺北市立美術館「銜尾蛇」(2017,The Yellow Snake Is Waiting)等。

Third Thursdays Brighton – 20 January 2022

A bright yellow head with eye mask looks down upon a group of loving worshippers
A bright yellow head with eye mask looks down upon a group of loving worshippers
Again and Again and Again by Rachel Maclean, 2016

Third Thursdays Brighton, 20 January 2022

Third Thursdays returns in 2022 on 20 January, between 4:30pm and 6:30pm. With music by musicians from Brighton & Hove, and film and video work by artists from across the globe. Curated by videoclub.

Join our walking cinema film trail and watch films projected onto buildings around Brighton; listen to music played around The Lanes, East Street and North Laine; see films by international artists in shop windows, and watch a Digital Stag by artist Thomas Buckley run through Brighton.

Artists in the programme include Rachel Maclean, Megan Broadmeadow, Murat Sayginer, Cattin Tsai, Georgia Tucker and Wong Ping.

To join and follow the film trail, meet at 5:30pm outside East Street Arcade on East Street

More details on the Third Thursdays website.

About Third Thursdays

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions.

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

See the programme on the Third Thursdays website: thirdthursdaysbrighton.com

To find out more about opportunities for artists, creatives and audiences, join our mailing list by clicking here.  Or follow us on social media: Facebook // Twitter // Instagram.

Third Thursdays is part of the ABCD Cultural Recovery Plan, supported by Arts Council England, Brighton & Hove City Council, Brilliant Brighton Business Improvement District, Pebble Trust and the Welcome Back Fund (European Regional Development Fund).

Call out for stewards – paid opportunity

We’re looking for people who would be willing to be stewards and help support the delivery of Third Thursdays. To work with us to deliver our outdoor walking film trail, support musicians and to oversee films in windows. May require a little light lifting.

Dates: 17 Feb, 17 Mar, 21 Apr, between 3pm and 8pm. £10 an hour plus expenses.

If you are  interested, email Jamie Wyld at: jamie@videoclub.org.uk

About ABCD Cultural Recovery Plan

The disruption of the pandemic brought together over 100 creatives in Brighton & Hove to explore how arts & culture can be more inclusive, sustainable and collaborative in the City in the future. This resulted in a recovery plan that runs to the end of 2022 and has so far raised over £350k for the cultural sector in the City. The plan is overseen by an independent group of people formed of a Governance Group and a series of Working Groups. Our aims are to create paid work and professional opportunities for creative workers in the City, to develop a more inclusive cultural offer and to encourage partnership working to strengthen the creative sector in the long term.

Our partners include Brighton & Hove City Council, Arts Council England, Brilliant Brighton Business Improvement District, the Pebble Trust and many funded arts organisations in the City. If you work in the creative industries and want to get involved and/or find out more visit cultureinourcity.com

                               

Screening, exhibition & commission opportunities for Third Thursdays

THIRD THURSDAYS – A MONTHLY OPPORTUNITY TO ENGAGE WITH COMMUNITIES AND AUDIENCES THROUGH ART, MUSIC AND CULTURE.

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions. It will create moments each third Thursday of the month for residents and visitors to engage with art and culture around the centre of Brighton.

Third Thursdays will be an opportunity to showcase creativity and involve audiences with artistic work, including exhibition openings, events, music performances and film projections. It will be a chance to reach people interested in arts, film, culture and music, and audiences who are shopping, socialising, and seeking entertainment around every corner.

HOW TO GET INVOLVED

There are several ways to get involved and participate in Third Thursdays for artists and organisations.

1. Submit an event – organisations and businesses can propose an event for Third Thursdays as part of the programme. This could be for an existing or new event such as an exhibition opening, cultural event, performance, film screening, talk or a creative new product launch. We want to help promote and include your event as part of Third Thursdays’ cultural programme. Scroll down to find out more.

2. Create and show artwork – artists, collectives and groups in Brighton & Hove can apply for production fees to make and show work for Third Thursdays.

– 6 event / exhibition fees of up to £500.

– 8 exhibition fees of up to £1,000.

– 2 commission fees of up to £6,000.

Scroll down to find out more.

3. Submit work for screening or exhibition – we’ll be delivering a programme of projections and screenings in Brighton, and we’ll be curating programmes from material submitted to us. Open to UK and international artists. Scroll down to find out more.

4. Virtual international exchange for 2 disabled, D/deaf, Neurodivergent or chronically ill artists – we are delivering an online residency exchange in collaboration with Videotage in Hong Kong as part of our seventh Both Sides Now programme. Scroll down to find out more.

We particularly encourage submissions from artists and organisations who are from diverse backgrounds. (See FAQs for information.)

There are budgets for access support, which can be discussed if work is selected for exhibition or commission.

View this information in a document by clicking here. See application FAQs by clicking here.

1. SUBMIT AN EVENT

Submit an event for Third Thursdays as part of the programme. This could be an exhibition opening, cultural event, performance, film screening or talk. We want to include and help promote your events and activities as part of Third Thursdays’ cultural programme.

We’ve put together a simple submission form, so we can find out which Third Thursday you want to present on, what the event is, who it’s aimed at and its location.

To be part of the Third Thursdays programme events must:

– Take place on one of the Third Thursday dates: 20 Jan 22, 17 Feb 22, 17 Mar 22, 21 Apr 22.

– Have an artistic, creative or cultural component to the event – this could include design, videogaming, visual art, performing arts, creative media, sound art, heritage, film, music or fashion.

TO SUBMIT AN EVENT OR ACTIVITY FOR INCLUSION IN THE PROGRAMME, CLICK HERE.

2. CREATE AND SHOW ARTWORK

Artists, collectives and groups can apply for commission fees to make and show work for Third Thursdays.

– 6 event / exhibition fees of up to £500.

– 8 exhibition fees of up to £1,000.

– 2 commission fees of up to £6,000.

Submissions can be made by individuals, collectives, or groups who are based in Brighton & Hove. A number of these commissions will be dedicated to early career artists from diverse backgrounds (see FAQs for definition), supported by The Pebble Trust.

The aim is to show work in public spaces using projection in outdoor areas in the Brilliant Brighton Business Improvement District. Proposals must be for work that is made for projectable exhibition – this could be film & video (artists’ film & video, heritage film, narrative), digital work, videogames, etc. We suggest proposing artwork that will work well in public spaces – work that attracts and can hold attention, or that can enhance a location or tell a story in an accessible way.

Work must be shown in the Brilliant Brighton Business Improvement District (BID). You are asked to suggest where your work might be exhibited in the BID area (click here, then click on ‘MAP’).

We would like to know where you see your work being shown, and how you want to exhibit it. What location would it need to be shown? (For example, an outside wall or a window onto the street at a certain location.) Does it need sound? Giving us a sense of how and where the work might be experienced will help us assess your application.

> UP TO £500 AND £1,000 EXHIBITION FEES

Budgets up to £500 and £1,000 are to support the delivery of events and exhibition of work. You can apply for costs towards such as:

– Artists’ fees.

– Technical costs.

– Equipment hire.

Applicants will need to provide:

– Evidence of past work – through a website link / online.

– A basic budget breakdown.

– A description of the planned work.

– A proposed location.

– A description of how you are ensuring accessibility of the work shown.

DEADLINES FOR SUBMISSIONS AND THEMES FOR DATES

TO APPLY FOR AN EXHIBITION FEE OF UP TO £500 OR £1,000, CLICK HERE TO COMPLETE AN APPLICATION.

If you would simply like to submit a work for screening or exhibition (without also organising its exhibition) – then please submit your work by clicking here.

—–

> UP TO £6,000 COMMISSION FEE

There are two commission fees for £6,000:

– One is aimed at developing a project with young people or children, with resulting work exhibited as projection outdoors.

– One is aimed at creating a larger scale new work for exhibition via projection outdoors.

> WORKING WITH YOUNG PEOPLE OR CHILDREN COMMISSION

We want an artist or group to work with young people or children in Brighton & Hove to create a new work for exhibition for Third Thursdays in April (21/04/22).

The artwork could be a film, video or digital work made for projection. Children or young people could be involved in the work’s design, content (visual/sound), narrative or production. They should have some involvement in the creative development of the work.

Applicants will need to provide:

– Description of the proposed project.

– Evidence of a connection with a school or youth group.

– Proposal for where work with young people or children will take place – online or real life. And how COVID-19 safety will be managed if in real life.

– Evidence of previous success working with young people or children.

– A completed DBS check.

– Link to previous work – online portfolio or website with CV, images, video.

– A method for engaging young people with the work – for example, what you see their involvement being creatively. What will they learn from the project?

– Timeline/plan for delivery of the work.

– A budget breakdown.

– Description of how you are ensuring accessibility of the work shown.

– Location for exhibition.

– How you will respond to April’s theme, which is Memory.

DEADLINE FOR SUBMISSIONS IS: 20 JANUARY 2022

TO APPLY FOR A COMMISSION FEE OF UP TO £6,000 TO WORK WITH YOUNG PEOPLE, CLICK HERE TO COMPLETE AN APPLICATION.

> LARGE SCALE EXHIBITION COMMISSION

We invite submissions for a new work by an artist/s based in Brighton & Hove for exhibition via projection in the Brighton BID area. To be exhibited for Third Thursdays in April (21/04/22).

We want to see proposals that will engage audiences and inspire them in accessible ways. Work could be in the form of film, video or digital work (including projection mapping or videogames) – we are open to artists’ suggestions. With work being projectable / exhibitable in the BID area – click here and see ‘Map’.   

Applicants will need to provide:

– Description of the proposed project.

– Link to previous work – online portfolio or website with CV, images, video.

– Timeline/plan for delivery of the work.

– A budget breakdown.

– Description of how you are ensuring accessibility of the work shown.

– Location for exhibition.

– How you will respond to April’s theme, which is Memory.

DEADLINE FOR SUBMISSIONS IS: 20 JANUARY 2022
TO APPLY FOR A COMMISSION FEE OF UP TO £6,000 TO DEVELOP A LARGE SCALE ARTWORK, CLICK HERE TO COMPLETE AN APPLICATION.

3. SUBMIT WORK FOR SCREENING OR EXHIBITION

We’ll be delivering a programme of projections and screenings in Brighton, curated from material submitted to us. Submissions will be accepted by artists and filmmakers locally, from the UK and internationally.

SCREENING SUBMISSIONS

Screening submissions, if selected, will be shown via our mobile cinema, which will show works on walls around the BID area.

Artists and filmmakers can submit up to 2 films for each deadline. Submissions can be artists’ film & video, experimental film, Machinima, short film or digital works.

Criteria for screening submissions:

– Between 2 and 5 minutes in length.

– Be engaging for viewers who may be passing by or watching throughout, for example be visually stimulating, humorous, narrative, spectacular, fun, surprising and accessible.

– For public / outdoor exhibition (i.e. be suitable for children and adults in public).

– Work must be in digital format and be high enough in resolution to show at scale.

A screening fee of £50 will be paid if work is shown in the programme.

DEADLINES FOR SUBMISSIONS AND THEMES FOR DATES

TO SUBMIT YOUR WORK, CLICK HERE.

EXHIBITION SUBMISSIONS

Exhibition submissions will be shown at static sites in the BID area. This might include projection onto walls of buildings or inside windows in stores. Works will be shown as part of a programme or on a loop. Submissions will be accepted by artists and filmmakers locally, across the UK and internationally.

Artists and filmmakers can submit up to 2 works for each deadline. Submissions can be artists’ film & video, experimental film, Machinima or digital works. This programme is for longer form or loop-able works. Submit gallery-based work to this programme.

Criteria for exhibition submissions:

– No minimum length.

– Be engaging for viewers who may be passing by or watching throughout, for example be visually stimulating, spectacular, surprising and accessible.

– For public / outdoor exhibition (i.e. suitable for children and adults in public).

– Work must be in digital format and be high enough in resolution to show at scale.

An exhibition fee of £100 will be paid if work is shown in the programme.

DEADLINES FOR SUBMISSIONS AND THEMES FOR DATES

TO SUBMIT YOUR WORK, CLICK HERE.

4. CALL OUT: ONLINE RESIDENCY FOR 2 DISABLED, D/DEAF AND/OR NEURODIVERGENT ARTISTS BASED IN BRIGHTON & HOVE

videoclub is delivering a month-long online residency exchange in collaboration with Videotage in Hong Kong as part of videoclub and Videotage’s seventh Both Sides Now programme.

Residencies will take place on videoclub’s Vital Capacities virtual residency space: vitalcapacities.com and on Videotage’s Minecraft residency. Residencies will take place in February 2022. Deadline for submissions is: 12 January 2022.

ABOUT THE RESIDENCY

The programme invites applications for the residency from disabled, D/deaf and Neurodivergent artists based in Brighton & Hove. There are 2 opportunities available, with fees of £1,000 for participation plus £500 of production costs. There are additional access support budgets available, which can be organised depending on requirements. Residencies are part-time only and can be worked around your schedule.

Work produced will be exhibited as part of Third Thursdays and as part of an exhibition on Vital Capacities’ website. It may also be included in screenings in the UK and Hong Kong.

Both Sides Now 7’s theme is environmentalism. We invite applicants to consider how they might explore this theme through their residency and work. It might help to look at previous residencies on Vital Capacities to see how others have approached their work.

HOW TO APPLY

To submit a simple expression of interest (name, email and links to previous work) for the residency, click here.

ABOUT BOTH SIDES NOW

Both Sides Now is a tactical programme partnership between Videotage (HK) and videoclub (UK). Which uses contemporary and historical film and video work to explore developments within the culture and society of Hong Kong, China, and the UK, and beyond.

About Third Thursdays

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions. It will create moments each third Thursday of the month, beginning on 16 December, for residents and visitors to engage with art and culture around the centre of Brighton.

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

See the programme on the Third Thursdays website: thirdthursdaysbrighton.com

                               

Sponsored by Feonic:

Call out: online residency for 2 disabled, D/deaf and/or Neurodivergent artists based in Brighton & Hove

A bonfire on the beach of a large lake at sunrise, blue skies with an orange morning glow in the distance.
A young woman in a wheelchair looks into a mirror reflectively. Behind windows open out onto a blue sky.
Nadine Mckenzie created ‘A Will, My Wheels, and a Way’ as part of their Vital Capacities residency in 2021

We are delivering a month-long online residency exchange in collaboration with Videotage in Hong Kong as part of videoclub and Videotage’s seventh Both Sides Now programme. Residencies will take place on videoclub’s Vital Capacities virtual residency space: vitalcapacities.com and on Videotage’s Minecraft residency. Residencies will take place in February 2022. Deadline for submissions is: 12 January 2022.

The programme invites applications for the residency from disabled, D/deaf and Neurodivergent artists based in Brighton & Hove. There are 2 opportunities available, with fees of £1,000 for participation plus £500 of production costs. There are additional access support budgets available, which can be organised depending on requirements. Residencies are part-time only and can be worked around your schedule.

Work produced will be exhibited as part of Third Thursdays and as part of an exhibition on Vital Capacities’ website. It may also be included in screenings in the UK and Hong Kong.

Both Sides Now 7’s theme is environmentalism. We invite applicants to consider how they might explore this theme through their residency and work. It might help to look at previous residencies on Vital Capacities to see how others have approached their work. 

To submit a simple expression of interest (name, email and links to previous work) for the residency, click here.

About Both Sides Now

Both Sides Now is a tactical programme partnership between Videotage (HK) and videoclub (UK). Which uses contemporary and historical film and video work to explore developments within the culture and society of Hong Kong, China, and the UK, and beyond.

     

Arts Council England funding logo (Lottery)     

About Third Thursdays

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions. It will create moments each third Thursday of the month, beginning on 16 December, for residents and visitors to engage with art and culture around the centre of Brighton.

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

See the programme on the Third Thursdays website: thirdthursdaysbrighton.com

                               

Sponsored by Feonic:

Blog post for Culture in Our City on Third Thursdays 16 Dec

Lawrence Lek, Play Station, 2017

Our director, Jamie Wyld, has written a blog post about Third Thursdays on 16 December – get an insight into this month’s theme and some background to artworks in the programme, click here to read.

To find out more about Third Thursdays, go to the website by clicking here.

Third Thursdays Brighton on 16 Dec

Dynasty Handbag, Vat Do You Vahnt For Bwekfas?, 2016

Third Thursdays – a monthly opportunity to see, experience and take part in art, music and culture. 

Third Thursdays is a new arts, music and culture programme that aims to make the centre of Brighton more vibrant, through events, performances, film projections and new artwork commissions. It will create moments each third Thursday of the month, beginning on 16 December between 5 and 7pm, for residents and visitors to engage with art and culture around the centre of Brighton. 

Third Thursdays will be an opportunity to showcase creative work for people to participate in, including exhibition openings, events, music performances and film projections.

See the programme on the Third Thursdays website: thirdthursdaysbrighton.com

To find out more about opportunities for artists, creatives and audiences, join our mailing list by clicking here.  Or follow us on social media: Facebook // Twitter // Instagram.

Third Thursdays is part of the ABCD Cultural Recovery Plan, supported by Arts Council England, Brighton & Hove City Council, Brilliant Brighton Business Improvement District, Pebble Trust and the Welcome Back Fund (European Regional Development Fund).

Call out for stewards – paid opportunity

We’re looking for people who would be willing to be stewards and help support the delivery of Third Thursdays. To work with us to deliver our outdoor walking film trail, support musicians and to oversee films in windows. May require a little light lifting.

Date: 16 December, between 2pm and 9pm. £10 an hour plus expenses.

If you are  interested, email Jamie Wyld at: jamie@videoclub.org.uk

About ABCD Cultural Recovery Plan

The disruption of the pandemic brought together over 100 creatives in Brighton & Hove to explore how arts & culture can be more inclusive, sustainable and collaborative in the City in the future. This resulted in a recovery plan that runs to the end of 2022 and has so far raised over £350k for the cultural sector in the City. The plan is overseen by an independent group of people formed of a Governance Group and a series of Working Groups. Our aims are to create paid work and professional opportunities for creative workers in the City, to develop a more inclusive cultural offer and to encourage partnership working to strengthen the creative sector in the long term. 

Our partners include Brighton & Hove City Council, Arts Council England, Brilliant Brighton Business Improvement District, the Pebble Trust and many funded arts organisations in the City. If you work in the creative industries and want to get involved and/or find out more visit cultureinourcity.com

                              

Sponsored by Feonic:

Both Sides Now: Queer – recorded panel talks

3 frames from Zoom webinar including speakers Jia Tan, Beatrice Wong and Danielle Braithwaite-Shirley

Both Sides Now: Queer – recorded panel talks

In October 21, we participated in SPARK Festival 21, delivered by British Council Hong Kong. We presented Both Sides Now: Queer – a programme of films and two panel discussions. The two talks are now available to watch:

Panel discussion led by Lucia King (Researcher, curator and lecturer in Moving Image, University of Brighton, UK) with artists Rob Crosse (UK) and Nicole Pun (HK). Crosse and Pun took part in international exchange residencies with Both Sides Now in 2019. Find out more about the panelists by clicking here.

 

Panel discussion led by Jia Tan (Assistant Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong) with artists Danielle Braithwaite-Shirley (UK) and Beatrice Wong (HK). Find out more about the panelists by clicking here.

Talks took place as part of SPARK Festival 21, delivered by British Council Hong Kong in partnership with videoclub and Videotage.

 

Both Sides Now is a tactical program that uses film and video to explore culture and society between different nations, the UK, Hong Kong, and beyond. It is delivered annually by videoclub and Videotage.

     

Arts Council England funding logo (Lottery)          

Both Sides Now: Queer at SPARK Festival 21 HK/UK

A person looks up facing the ceiling. The word queer in capital letters is written in the centre.
A person looks up facing the ceiling. The word queer in capital letters is written in the centre.
Matt Lambert, God is Watching, 2017 (courtesy of the artist, Tate and Random Acts)

videoclub and Videotage present Both Sides Now: Queer as part of SPARK Festival 2021, delivered by British Council Hong Kong.

Join filmmakers from the UK and Hong Kong to explore aspects of LGBTQI+ life, reflecting upon Queer identity, life and creativity.

Both Sides Now: Queer features eight short films (available to stream on-demand between 20-23 October during SPARK) and two accompanying panel talks, looking at the way in which filmmakers are exploring Queer culture, using various film and video techniques to explore aspects of Queer life in Hong Kong and the UK.

See the full programme and book talks for SPARK 2021 now on British Council’s website.

Film programme

Anson Mak, Differences Do Matter, 1998, 3 mins
Ming Wong, Learn German with Petra Von Kant, 2017, 8 mins
Jay Bernard, Something Said, 2017, 7:33 mins
Matt Lambert, God is Watching, 2017, 3:24 mins
Lucie Rachel, Where We Are Now, 2016, 9:29 mins
Rob Crosse, Dear Samuel, 2019, 9:30 mins
Nicole Pun, To be Brandon (Scene 1), 2019, 4:06 mins
Nicole Pun, To be Brandon (Scene 2), 2019, 6:58 mins

Film programme will be available to watch between 20 and 23 October. Visit the website to watch during those dates. Watch the film programme by clicking here.

Talks programme

Talks can be booked now on the British Council website by clicking here. Find out more about the speakers in the programme by clicking here.

Date and time: 22 October at 11am UK (6pm HK)

Participants: Rob Crosse (artist, UK)), Nicole Pun (artist, HK), Lucia King (moderator, UK) 

Panellists will discuss what sector support is needed and available for LGBTQ+ artists and filmmakers, and where best practice exists. Led by Lucia King (Researcher, curator and lecturer in Moving Image, University of Brighton, UK) with artists Rob Crosse (UK) and Nicole Pun (HK). Crosse and Pun took part in international exchange residencies with Both Sides Now in 2019.

Date and time: 23 October at 9am UK time (4pm HK)

Participants: Danielle Braithwaite-Shirley (artist, UK), Beatrice Wong (artist, HK), Jia Tan (moderator, HK)

Panellists will discuss how Trans artists and filmmakers can be supported better, what challenges there are and what the sector needs to do to support Trans makers. Led by Jia Tan (Assistant Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong) with artists Danielle Braithwaite-Shirley (UK) and Beatrice Wong (HK).

Register now on the British Council website by clicking here. Learn more about the speakers in the programme by clicking here.

Both Sides Now is a tactical program that uses film and video to explore culture and society between different nations, the UK, Hong Kong, and beyond. It is delivered annually by videoclub and Videotage. 

     

Arts Council England funding logo (Lottery)          

SPARK – Both Sides Now: Queer – Panel discussions

Panellists from top left (22 Oct): Lucia King, Nicole Pun, Rob Crosse. And from bottom left (23 Oct): Jia Tan, Danielle Braithwaite-Shirley, Beatrice Wong.

Two panel discussions take place on 22 and 23 October, which complement the Both Sides Now: Queer film programme.

Date and time: 22 October at 11am UK (6pm HK)

Participants: Rob Crosse (artist, UK)), Nicole Pun (artist, HK), Lucia King (moderator, UK) 

Panellists will discuss what sector support is needed and available for LGBTQ+ artists and filmmakers, and where best practice exists. Led by Lucia King (Researcher, curator and lecturer in Moving Image, University of Brighton, UK) with artists Rob Crosse (UK) and Nicole Pun (HK). Crosse and Pun took part in international exchange residencies with Both Sides Now in 2019.

Register now on the British Council website by clicking here.

Rob Crosse is a filmmaker and photographer born 1985 in Hertfordshire, UK, studied Photography at the Arts University Bournemouth and completed his MFA in Fine Arts at the Slade School of Fine Art, London. He was a participant in the Berlin Programme for Artists BPA from 2019 to 2020. In 2020 he was awarded the Ars Viva Prize along with Sung Tieu and Richard Sides.

His recent solo and group exhibitions include Ars Viva 2020 Museum Angewandte Kunst, Frankfurt am Main, DE, Bad Bodies at Tomorrow Maybe, Eaton, HK and Solo Presentations, Jerwood, London, UK. His films have been shown as part of Lafayette Anticipations, Foundation d’entreprise Galeries Lafayette, Paris, FR; Video Art at Midnight, Babylon Cinema, Berlin, DE; Queer: Both Sides Now V, Videotage, HK; Different Ways, Lux, London, UK; and Transactions of Desire, Institute of Contemporary Arts, London, UK, among others. He has completed residencies as part of videoclub and Videotage Both Sides Now, at Eaton, HK; Bemis Center for Contemporary Arts, Nebraska, US; Katara Art Center, Doha, QA and Foundation Marcelino Botin, Santander, ES.

Nicole Pun is a visual artist based in Hong Kong. She uses photography, video, performance to explore queer identity, desire and female representation. She received her MFA from California Institute of the Arts. She has a BSSc from the Chinese University of Hong Kong, with a background in Journalism and Communication. Her work has been exhibited in Circus Gallery in Los Angeles; Avenue 50 Studio in Los Angeles; SOMArts Cultural Center in San Francisco; McGroarty Arts Center in Tujunga; “In & Out” Nicole Pun Solo Exhibition at Lumenvisum in Hong Kong. Her work is in numerous private and museum collections.  She is the recipient of several grants and awards, including Yale-China Arts Fellowship at Yale University, WMA Masters Special Mention Award.

Lucía King is a researcher and curator; and as an artist working in drawing, painting and installation. She is engaged as a researcher of artists’ moving image. King acquired a PhD from SOAS Centre for Media and Film (University of London) specialising in the creative methodologies of South Asian artists’ filmmakers and experimental documentary filmmakers. King is also curator of artists’ moving image and, in 2014, she founded VisionMix, an artist-led professional network of artists, filmmakers and curators that operates transnationally.

Date and time: 23 October at 9am UK time (4pm HK)

Participants: Danielle Braithwaite-Shirley (artist, UK), Beatrice Wong (artist, HK), Jia Tan (moderator, HK)

Panellists will discuss how Trans artists and filmmakers can be supported better, what challenges there are and what the sector needs to do to support Trans makers. Led by Jia Tan (Assistant Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong) with artists Danielle Braithwaite-Shirley (UK) and Beatrice Wong (HK).

Register now on the British Council website by clicking here.

Danielle Brathwaite-Shirley creates work that seeks to archive the Black Trans experience, “using technology to imagine our lives in environments that centre our bodies.”

They work predominantly in animation, sound, performance and video games, intertwining lived experience with fiction to record the lives of Black Trans people and imaginatively retell Black Trans stories.

Beatrice Wong, born 1980 in HK and based in HK ever since, is a transgender outsider artist with a lifelong struggle with mental issues. Wong expresses her dilemmas in life through personal creative projects and mediums including stand-up comedy. Contributing to the LGBTQ anthology ‘Intimate Strangers: True Stories from Queer Asia’, short films screened at various LGBTQIA film festivals around the globe, and recently, photography with her WMA Masters finalist work ‘No Opportunities (for Beatrice)’ being exhibited in Hong Kong City Hall. Beatrice also DJs as Misty Penguin.

Jia Tan is Assistant Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong. She received her doctoral degree in critical studies of cinema and television from the University of Southern California.

Her research on digital media, feminism, queer culture. Currently, she serves as an Associate Member for Institute for Transpacific Cultural Research, Simon Fraser University, Canada. She is also on the editorial board of Communication, Culture, and Critique, one of the journals affiliated with the International Communication Association (ICA).

Find out more and register on the British Council website by clicking here.

Both Sides Now is a tactical program that uses film and video to explore culture and society between different nations, the UK, Hong Kong, and beyond. It is delivered annually by videoclub and Videotage.

     

Arts Council England funding logo (Lottery)          

Reverberation – Vital Capacities’ latest exhibition

Image represents four artists work, top left: a still image from Siphenathi Mayekiso’s film Echoes of Identity, which shows a man with bare chest and arms across his face against a blue sky; top right: a still image from Rebekah Ubuntu’s film Ecologies of Belonging (a Meditation in Progress), which shows a person standing in the centre of a sandy footpath with long grass either side, in the distance to the left if the sea and clouds in the sky; bottom right: a still image from Nadine Mckenzie’s film A Will, My Wheels and a Way, which shows a young woman sat in a wheelchair reflected in a mirror, a wall of windows shows buildings and blue sky outside; bottom left picture: a dirt track footpath leads into the distance through a field, the ground is a deep red, making the grass on the sides of the path almost black in colour, trees can be seen on the horizon in the distance with clouds and a little blue sky above.
Image represents four artists work, top left: a still image from Siphenathi Mayekiso’s film Echoes of Identity, which shows a man with bare chest and arms across his face against a blue sky; top right: a still image from Rebekah Ubuntu’s film Ecologies of Belonging (a Meditation in Progress), which shows a person standing in the centre of a sandy footpath with long grass either side, in the distance to the left if the sea and clouds in the sky; bottom right: a still image from Nadine Mckenzie’s film A Will, My Wheels and a Way, which shows a young woman sat in a wheelchair reflected in a mirror, a wall of windows shows buildings and blue sky outside; bottom left picture: a dirt track footpath leads into the distance through a field, the ground is a deep red, making the grass on the sides of the path almost black in colour, trees can be seen on the horizon in the distance with clouds and a little blue sky above.
All four artists’ work, beginning bottom right clockwise: Nadine Mckenzie, A Will, My Wheels and a Way, 2021; …kruse, Directionsgreat to Storyplace, 2021; Siphenathi Mayekiso, Echoes of Identity, 2021; artwork still, Ecologies of Belonging (a Meditation in Progress) by Rebekah Ubuntu, courtesy of the Artist. Find Rebekah online @rebekahubuntu.

In August 2021, we worked with four artists-in-residence on Vital Capacities, two from South Africa, Siphenathi Mayekiso and Nadine Mckenzie, and two from the UK, …kruse and Rebekah Ubuntu. All four artists were invited to research and explore ideas, and to share them during the residency. Each artist has produced work that resonates with the work they did throughout the residency, reflecting on memory, personal narratives, experience, and movement. See the exhibition: vitalcapacities.com

Siphenathi Mayekiso has created a poetic movement storytelling film, which takes the viewer on a journey, reflecting on our perception of what we think others see when they look at us. Echoes of Identity is a personal interrogation using the body to build a dialogue about the self.

Nadine Mckenzie’s film, A Will, My Wheels and a Way is a powerful personal narrative that reflects on the car accident which led to Mckenzie being paralysed. The film brings together memories, interviews with family and friends, and interpretive dance to portray Mckenzie’s close connection to her wheelchair.

…kruse’s residency resulted in two works, Stumpsoft to Hungerdream and Directionsgreat to Storyplace, which came out of …kruse’s investigation into her relationship with paths and walking. Both works contain what …kruse describes as word drawings, poetic wanderings and meanderings over old and new paths.

Rebekah Ubuntu decided to focus on reflecting and taking pause during their residency; reading and meditating on Alexis Pauline Gumbs’ book Undrowned: Black Feminist Lessons from Marine Mammals. Ubuntu has created Ecologies of Belonging (a Meditation in Progress) in response to their time in residence.

August’s programme was delivered in partnership with Institute for Creative Arts – University of Cape Town and Wysing Arts Centre. With support from Arts Council England.

 

Vital Capacities is an accessible, purpose-built digital residency space, that supports artists’ practice while engaging audiences with their work.

Vital Capacities has been created by videoclub in consultation with artists, digital inclusion specialist Sarah Pickthall and website designer Oli Pyle.

       

 

Arts Council England funding logo (Lottery)